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So what if, rather than the market for compact monitors being full to overflowing, the Dynaudio BM5A were the only contender; would I hanker after some yet-to-be-designed alternative? Nope, I'd be perfectly happy with the BM5A. The speaker's reflex port, flared both externally and internally, appears at the top of the rear panel. The only audio input is on balanced XLR, and level control is limited to a three-position switch. The three EQ switches allow you to tailor the tonality of the speaker within your room.

A -2dB or -4dB mid-range notch filter provides approximate compensation for BM5As located above large reflective surfaces — mixers or desks, for example. And finally, a ±1dB high-frequency shelf enables a bright in-room balance to be warmed or a dull one to be brightened. While broad-brush EQ facilities such as these can never recover an inappropriately positioned speaker or poorly performing up-stream electronics, they do provide a usefully comprehensive ability to tweak the balance of the BM5A to suit specific installations.

Inputs 1 and 2 are switchable). Main Outputs: One (on the rear of the KPE1. An S-Video signal is available via mini-DIN, composite video is available on a phono, and individual Left and Right phonos handle the stereo audio output). Headphone output: One (via quarter-inch stereo jack, on the front edge of the KPE1, with associated Volume control). 1kHz. A-D/D-A conversion: 20-bit linear. MIDI connectors: In & Out. Video format: Switchable between NTSC (the US standard) and PAL (the European standard).

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Sound on Sound (June 2005)

by George

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