By Jack & Sue Drafahl
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Extra resources for Adobe Photoshop for Underwater Photographers
The burning and dodging was done by adding a new layer and mask, and setting the blending mode to Soft Light. The black brush was then used to burn in several areas around the fish. A Levels Adjustment Layer was also added to correct the exposure of the fish, and a Clone/Healing Brush layer was added to remove some bright spots. 60 ADOBE® PHOTOSHOP® FOR UNDERWATER PHOTOGRAPHERS Top Left—The tones in the background make it difficult to see the fish. Top Right—The Levels Adjustment Layer was added to tweak the color and brightness of the fish.
When you select an image variation from the outer ring that looks good, it will move to the middle. You can then select another one that looks even better or make coarse adjustments and corrections for shadows, midtones, highlights, saturation, and exposure. At the top of the Variations menu, you will see a side-by-side comparison of before-and-after corrections for critical analysis. TOP TEN EDITING TOOLS 29 30 ADOBE® PHOTOSHOP® FOR UNDERWATER PHOTOGRAPHERS Facing Page—This starfish image had an undetermined color shift, so the Image> A d j u s t m e n t s > Va r i a t i o n s menu was selected with the midtone box selected.
The YOU WILL FIND YOURSELF CONTINUALLY problem is that even if you set the USING THE CLONE TOOL, HEALING BRUSH, AND History palette to 40–60 states, you SPOT HEALING BRUSH. . may make more corrections than the Step Backward command allows and will have to start your editing over. Create a New Layer. The solution is to do your editing on layers so that the background image remains intact. Use the F7 key to open the Layers palette and click on the Create a New Layer icon at the bottom of the menu to add a new one.
Adobe Photoshop for Underwater Photographers by Jack & Sue Drafahl